Hanart TZ Gallery on Saturday, March 14, 2026, from 2 to 6 pm, in the presence of the artist. 

The exhibition features Bingyi's monumental 24-meter-long masterpiece, All Things, delving into the intersection of ancient spiritual wisdom, energy structures, and contemporary artistic expression through the theme of "Lightning Painting” and “Talismans". This show is a profound exploration of Bingyi's deep engagement with the cosmic and philosophical dimensions of ancient Chinese thought, and the way these ideas resonate in the contemporary world. 

The term Xuanji (璇璣), originating from ancient Chinese astronomy, refers to the two core stars of the Big Dipper. It also signifies the celestial disc or the mechanism behind the rotation of the stars, serving as a model for understanding the movement of the heavens, the order of time, and the laws of the universe. Beyond its astronomical function, Xuanji is also a symbolic and philosophical concept, representing the cosmic order and the interconnectedness of all things. Its structure mirrors that of a palindromic poem, one that reads symmetrically from front to back, from inside out, from form to meaning, embodying the cyclical and ordered nature of the universe.

"All Things”, “Lightning Painting” and “Talismans" serves as a key for understanding both ancient and modern perspectives on the universe, acting as a tool for activating fields and awakening consciousness. Bingyi's work dissolves the boundaries between past and present, calligraphy and painting, space and artwork, and the universe and human consciousness. Time and space are integrated, offering viewers an immersive experience where they can feel the power of the ancient cosmos as they walk through the exhibition, as though they are entering a palindromic cosmic cycle. This engagement transforms the exhibition space into a “living formation,” where symbols, energy, and consciousness interact dynamically.