Blindspot Gallery is pleased to present “Trevor Yeung: swallowing rumination, gracefully”, on view from 24 February to 2 May 2026, marking his fourth solo exhibition at the gallery. Yeung is known for using aquariums, horticulture, found objects, installation and photograph as cyphers to project his internalized perception of the world. Excavating the logic of natural and artificial ecologies, he orchestrates scenarios that evoke emotional resonance and simulate social dynamics, prompting viewers to contemplate notions of selfhood and intersubjectivity. 

This exhibition is conceived as a space of introspection for the solitary pensive dweller. Projecting one’s interior world, a thread of sentimentality, desire and vulnerability runs throughout the exhibition, bearing the visceral traces of time and impermanence. It features Yeung’s latest tank, mixed-media and light sculptures, photographs, and installations composed of rocks and crystals, reflecting the artist’s tendering as an avid hoarder, and the belief systems that serve as comfort during change.

Yeung will have a conversation at 4pm on 21 March with artist Lap-See Lam, moderated by Olivia Chow, Director of Curatorial Programs at the Chinese Canadian Museum. Chow curated “Trevor Yeung: Courtyard of Attachments, Hong Kong in Venice”, Hong Kong’s Collateral Event at the 60th Venice Biennale, as well as its return presentation “Trevor Yeung: Courtyard of Detachments” at M+. The conversation will be conducted in English. “Lap-See Lam: Bamboo Palace: Revisited” (23 March – 2 May) will take place in tandem with Yeung’s exhibition at the gallery.

Coinciding with this exhibition, Yeung’s first solo institutional exhibition in France, “Garden of the Nine Suns,” will be on view in CAPC Musée d’art Contemporain de Bordeaux from 3 April to 29 September, 2026.