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Narration: Action Poem
4 Oct – 12 Nov, 2025
Tang Contemporary Art (Central)
KWAI TSING
Misty Aura: XU Longsen
4 Oct – 22 Nov, 2025
Hanart TZ Gallery
KWUN TONG
I Remember I Fear I May Not Remember
4 Oct – 26 Oct, 2025
WURE AREA
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50/50
27 Sep – 15 Nov, 2025
Whitestone Gallery
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Gama: Jacqueline Kiyomi Gork
27 Sep – 15 Nov, 2025
Empty Gallery
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Yu Runde — Ephemeral Spectrum
26 Sep – 25 Oct, 2025
Art of Nature Contemporary (Central)
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Maria Lassnig. Self with Dragon
26 Sep – 28 Feb, 2026
Hauser & Wirth
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Territories of the Imaginal
26 Sep – 5 Nov, 2025
Tang Contemporary Art (Wong Chuk Hang)
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Lui Shou-kwan: Artist Teacher Scholar
25 Sep – 6 Dec, 2025
Alisan Fine Arts
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Explosante-Fixe: Liu Yangwen Solo Exhibition
23 Sep – 31 Oct, 2025
3812 Gallery
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IV Chan Solo Exhibition:“On the Edge of Passage”
20 Sep – 18 Oct, 2025
SC Gallery
SHEUNG WAN
Wander from Home
18 Sep – 18 Oct, 2025
Contemporary by Angela Li
SHEUNG WAN
Ewa Partum: Conceptual Feminism
18 Sep – 1 Nov, 2025
Double Q Gallery
CENTRAL
Concrete Colour
17 Sep – 18 Oct, 2025
Ora-Ora
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Isaac Chong Wai: carefully
16 Sep – 1 Nov, 2025
Blindspot Gallery
SHEUNG WAN
my gaze is as clear as your breath
12 Sep – 11 Oct, 2025
Square Street Gallery
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Zao Wou-Ki Works on paper: 1951-2000
12 Sep – 31 Oct, 2025
Art Perspective
CENTRAL
Rick Lowe: Harbour Fragments
11 Sep – 1 Nov, 2025
Gagosian
SHEUNG WAN
Karl Horst Hödicke Solo Exhibition: Under the Sun's Favor
11 Sep – 11 Nov, 2025
Leo Gallery
CENTRAL
Encounter
11 Sep – 11 Oct, 2025
JPS Gallery
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Gordon Cheung: New Territories
11 Sep – 15 Nov, 2025
gdm (Galerie du Monde)
SOUTHERN
Yukari Nishi: In the meantime
6 Sep – 8 Nov, 2025
WKM Gallery
SOUTHERN
Vessel of Emptiness
6 Sep – 1 Nov, 2025
Axel Vervoordt Gallery
SOUTHERN
Of Silk and Soil by SUGA
6 Sep – 11 Oct, 2025
Boogie Woogie Photography
SAI WAN (WESTERN)
Möbius Loop
2 Sep – 25 Oct, 2025
HART HAUS
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Living with Japanese Bamboo Art | NAGOMI
30 Aug – 11 Oct, 2025
wamono art
SOUTHERN
The Remains of Our Days
27 Aug – 1 Nov, 2025
Alisan Atelier
CENTRAL
Akio Ohmori Collection Exhibition: Between Worlds
4 Aug – 2 Nov, 2025
I.F. Gallery
SOUTHERN
Wish You Were Here
11 Jul – 25 Oct, 2025
Ben Brown Fine Arts
SOUTHERN
"THE HONG KONG ICONICS" Art Basel Hong Kong Review
11 Jul – 31 Oct, 2025
Lucie Chang Fine Arts
OPENING SOON
Ewa Partum: Conceptual Feminism
18 Sep – 1 Nov, 2025
Double Q Gallery

A pioneer of conceptual art, Ewa Partum’s work is inseparable from feminism challenging the social inequalities, the patriarchal system, and women’s representation in art. Since the early 1970s, she has challenged the societal systems that dictate how women should behave, appear, and occupy public space. In her practice, the personal is political—not as a slogan, but as a lived, enduring artistic investigation.

This first solo exhibition in Asia brings together Partum’s works across photography, film, mixed media, and works on paper, offering viewers an opportunity to see the breadth and depth of her contribution to the intersection of conceptualism and feminist discourse.

Partum emerged as one of the first women in Eastern Europe to use conceptual strategies explicitly to question gender roles. At a time when political and social freedoms were limited, she developed a radical language rooted in her own body and identity, turning her art into a site for both confrontation and liberation.

Among the works on view is Change - My Problem Is a Problem of a Woman (1979), one of Partum’s most iconic performances. In this piece, she uses her own naked body not as an object for the male gaze but as a political statement, confronting viewers with the realities of living as a woman in a patriarchal society. The work collapses the divide between private experience and public commentary, exposing how women is constructed and sustained in the society.

Another important series included is Self-Identification (1980), in which Partum inserts her naked figure into everyday urban environments—streets, markets, and public squares. Here, her body becomes both an intrusion and a mirror, reflecting the tensions between social norms and individual presence. These works are less about provocation than about posing the question: what does it mean to simply exist as a woman in spaces historically designed to uphold male authority.

The exhibition also features Conceptual Exercises (1972), in which Partum plays with visual and verbal language to question the structures of meaning-making. In this series, she draws a connection to the Buddhist parable of the “Three Wise Monkeys”: “see no evil, hear no evil, speak no evil.” By reinterpreting this motif, Partum points to the social expectations placed upon women to be silent, compliant, and unseeing in the face of injustice. Through a feminist lens, the parable is transformed from an ethical maxim into a critique of imposed passivity.

Taken together, these works reveal an artist whose practice is deeply consistent yet continually evolving. Partum’s feminism is not an add-on to her conceptualism; it constitutes its very foundation. She uses the very tools of performance—the body and language—to dismantle cultural myths, opening space for new forms of female subjectivity.

In presenting Ewa Partum’s work in this representative solo exhibition, we are reminded that the struggles she addresses are not confined to the past. They remain urgent and unresolved, making her art as necessary today as when it was first made.

Ewa Partum’s works have been exhibited at the Palais de Tokyo, Centre Pompidou, 14th Biennale de Lyon, La Triennale 2012 Paris, 18th Biennale of Sydney and Manifesta 7, among others. They can be found in numerous international collections such as Tate Modern, MoMA New York, Museo Reina Sofia Madrid, Generali Foundation, Neue Nationalgalerie Berlin.
Double Q Gallery

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