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SOUTHERN
Xie Xiaoze: The Archaeology of Knowledge
25 Jan – 19 Apr, 2025
Alisan Atelier
SOUTHERN
Chen Wei: Breath of Silence
18 Feb – 12 Apr, 2025
Blindspot Gallery
CENTRAL
Inverso Mundus: City of Chimeras
20 Feb – 20 Mar, 2025
Tang Contemporary Art (Central)
SOUTHERN
Multiple Unrealities: Alessandro Giannì Solo Exhibition
22 Feb – 19 Mar, 2025
Tang Contemporary Art (Wong Chuk Hang)
SOUTHERN
Playful Scramble in Dragon’s Lair - Hayaki Nishigaki Solo Exhibition
22 Feb – 17 May, 2025
wamono art
CENTRAL
Through Time—Print Art in Aberdeen Street
22 Feb – 31 Aug, 2025
Print Art Contemporary
KOWLOON CITY
From Dust to Light
26 Feb – 13 Apr, 2025
Videotage
SOUTHERN
The Trivial Sublime
6 Mar – 5 Apr, 2025
SC Gallery
SAI WAN (WESTERN)
PUT ON
7 Mar – 7 Apr, 2025
HART HAUS
KWUN TONG
Paste and Keep Text Only
8 Mar – 5 Apr, 2025
WURE AREA
CENTRAL
Wu Guanzhen:Echoes of Shadow Exhibition
14 Mar – 26 Apr, 2025
Art of Nature Contemporary (Central)
CENTRAL
Ayobola Kekere-Ekun: Blooming Shields
17 Mar – 16 Apr, 2025
Pearl Lam Galleries Hong Kong
CENTRAL
TSANG Kin-Wah: T REE O GO D EVIL
19 Mar – 24 May, 2025
gdm (Galerie du Monde)
WAN CHAI
Three Stories: Monsters, Opium, Time
20 Mar – 13 May, 2025
Kiang Malingue
SHEUNG WAN
The Korean Narrative: Layers of Korean Aesthetics
20 Mar – 17 May, 2025
Soluna Fine Art
SHEUNG WAN
Secret Garden - Byoungho Kim Solo Exhibition
20 Mar – 20 May, 2025
Leo Gallery
CENTRAL
Souvenirs, Novelties, Party Tricks
21 Mar – 26 Apr, 2025
JPS Gallery
WAN CHAI
Collect Hong Kong 2025
22 Mar – 4 Apr, 2025
Hong Kong Arts Centre
SHEUNG WAN
Hong Kong Poetry
22 Mar – 27 Apr, 2025
Blue Lotus Gallery
SOUTHERN
Embodied Perspectives
22 Mar – 3 May, 2025
WKM Gallery
SOUTHERN
GONGKAN: ASYNCHRONOUS AFFINITIES
22 Mar – 14 May, 2025
Tang Contemporary Art (Wong Chuk Hang)
SOUTHERN
Soul Light Legacy Plan
22 Mar – 17 May, 2025
DE SARTHE
CENTRAL
Capsule Filling
24 Mar – 13 Apr, 2025
Capsule
SOUTHERN
Sin Wai Kin: The Time of Our Lives
24 Mar – 10 May, 2025
Blindspot Gallery
CENTRAL
NIAO NIAO: A Solo Exhibition by Su Xiaobai
24 Mar – 15 May, 2025
Pearl Lam Galleries Hong Kong
CENTRAL
Beneath the Golden Canopy
24 Mar – 16 May, 2025
MASSIMODECARLO
CENTRAL
Beauty Will Save the World: Eight Artists from Southeast Asia
24 Mar – 16 May, 2025
10 Chancery Lane Gallery
CENTRAL
Tradition Transformed
24 Mar – 14 Jun, 2025
Alisan Fine Arts
CENTRAL
Sarah Sze
25 Mar – 3 May, 2025
Gagosian
CENTRAL
Louise Bourgeois. Soft Landscape
25 Mar – 10 May, 2025
Hauser & Wirth
YAU TSIM MONG
Vapors
25 Mar – 17 May, 2025
PERROTIN
ADMIRALTY
Objects of Play: Hoo Mojong Centennial Retrospective
26 Mar – 6 Jul, 2025
Asia Society Hong Kong Center
Sarah Sze
25 Mar – 3 May, 2025
Gagosian

Sarah Sze, Forever Now, 2025, oil, acrylic, archival paper, acrylic polymers, ink, dibond, aluminum, and wood, 103 1/4 × 158 inches (262.3 × 401.3 cm) © Sarah Sze

Gagosian is pleased to announce Sarah Sze’s first solo exhibition in Asia, and her sixth with the gallery, opening in Hong Kong on March 25, 2025. The exhibition features new large-scale mixed-media paintings alongside a new series of hanging sculptures.

In her latest exhibition, Sze explores how we make meaning from the never-ending stream of images that saturate contemporary life. Woven together from elements of her visual vocabulary—a bird, a wolf, a hand, a sunset—Sze’s new works destabilize the boundary between two and three dimensions, as imagery repeats across media, flowing from painting to sculpture and back again. Through this pictorial call-and-response, Sze prompts meditations on time, memory, and perception.

Sze continues to develop her unique approach to painting as an image-making system in this exhibition. In a method that is at once recursive and generative, she uses elements of past paintings as a starting point, layering gestural brushstrokes, colored tape, torn paper with printed images, and other elements into compositions that confuse the digital and the analog, the tactile and the immaterial. In Rip Tide (2025), a collaged image of a bird soars over a vibrant sweep of pink, orange, and gold paint echoing a flock of birds ascending toward the painting’s upper register. Sze’s striking compositional methods allow recurrent imagery to appear and disappear, evolve and disintegrate— always existing in a state of flux, much like memory itself.
  
The viewer becomes a traveler through the architecture of Sze’s compositions, which are informed by the artist’s deft layering of traditional Japanese printmaking, Chinese scroll, and Western landscape painting techniques. In Double Speed (2025), a small deer anchored at the bottom creates a vast sense of vertical scale above it, while a branch extending diagonally from the lower corner brings the surface forward and evokes a sense of great depth behind it. Sze has long been influenced by such varied art historical approaches to perspective and depth perception, which underlie her ever-evolving exploration of the relationship between two- and three-dimensional space across her oeuvre.

The dense, immersive presence of Sze’s paintings is balanced by the relative weightlessness of hanging sculptures from her Fractured Image series, in which suspended fragments of pigment prints are imperfectly reassembled. Each floating image appears to be caught in an uncertain moment, a delicate tension in which the viewer is unable to distinguish whether they are pushing toward each other or pulling apart. Unfolding like an archipelago of images across the gallery, the fragmented horizontal picture plane of the torn paper intersects with the verticality of the silver necklace chains from which they hang. These ephemeral arrangements articulate their own space and conflate with views of the Hong Kong harbor outside the gallery windows.

In her complex interdisciplinary work, Sze borrows from the physical and digital worlds to produce intricate sculptures, paintings, drawings, prints, videos, and installations that explore the precarious nature of materiality and the elliptical quality of time.

Sarah Sze was born in 1969 in Boston and lives and works in New York. Collections include M+, Hong Kong; Fondation Cartier pour l’art contemporain, Paris; Tate, London; Museum of Contemporary Art Chicago; San Francisco Museum of Modern Art; Carnegie Museum of Art, Pittsburgh; Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; and Metropolitan Museum of Art, New York, among others. Select solo institutional exhibitions include Triple Point, United States Pavilion, 55th Biennale di Venezia (2013, traveled to Bronx Museum of the Arts, New York, in 2014); Centrifuge, Haus der Kunst, Munich (2017–18); Night into Day, Fondation Cartier pour l’art contemporain, Paris (2020–21); Timelapse, Solomon R. Guggenheim Museum, New York (2023); and Nasher Sculpture Center, Dallas (2024). Permanent commissions include Shorter than the Day, LaGuardia Airport, New York (2020), and Fallen Sky, Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art (2024).
Gagosian

Address: 7/F, Pedder Building, 12 Pedder Street, Central

Opening Hours: Tue–Sat 11am–7pm

Phone: +852 2151 0555

Website: gagosian.com