FILTER
BY DISTRICT
Clear
CURRENTLY SHOWING
SHEUNG WAN
Wander from Home
18 Sep – 18 Oct, 2025
Contemporary by Angela Li
CENTRAL
Concrete Colour
17 Sep – 18 Oct, 2025
Ora-Ora
SOUTHERN
Isaac Chong Wai: carefully
16 Sep – 1 Nov, 2025
Blindspot Gallery
SHEUNG WAN
my gaze is as clear as your breath
12 Sep – 11 Oct, 2025
Square Street Gallery
SOUTHERN
Zao Wou-Ki Works on paper: 1951-2000
12 Sep – 31 Oct, 2025
Art Perspective
CENTRAL
Rick Lowe: Harbour Fragments
11 Sep – 1 Nov, 2025
Gagosian
SHEUNG WAN
Karl Horst Hödicke Solo Exhibition: Under the Sun's Favor
11 Sep – 11 Nov, 2025
Leo Gallery
CENTRAL
Encounter
11 Sep – 11 Oct, 2025
JPS Gallery
CENTRAL
Gordon Cheung: New Territories
11 Sep – 15 Nov, 2025
gdm (Galerie du Monde)
SOUTHERN
Yukari Nishi: In the meantime
6 Sep – 8 Nov, 2025
WKM Gallery
SOUTHERN
Vessel of Emptiness
6 Sep – 1 Nov, 2025
Axel Vervoordt Gallery
SOUTHERN
Of Silk and Soil by SUGA
6 Sep – 11 Oct, 2025
Boogie Woogie Photography
SAI WAN (WESTERN)
Möbius Loop
2 Sep – 25 Oct, 2025
HART HAUS
SOUTHERN
Living with Japanese Bamboo Art | NAGOMI
30 Aug – 11 Oct, 2025
wamono art
CENTRAL
HKFOREWORD25
28 Aug – 4 Oct, 2025
10 Chancery Lane Gallery
CENTRAL
August in Bloom
28 Aug – 30 Sep, 2025
Tang Contemporary Art (Central)
SOUTHERN
The Remains of Our Days
27 Aug – 1 Nov, 2025
Alisan Atelier
SHEUNG WAN
Where the Light Bends Between Us
21 Aug – 20 Sep, 2025
Soluna Fine Art
SOUTHERN
Imprints of Time
16 Aug – 23 Sep, 2025
Tang Contemporary Art (Wong Chuk Hang)
SOUTHERN
Contours of Expression
9 Aug – 20 Sep, 2025
Whitestone Gallery
CENTRAL
Akio Ohmori Collection Exhibition: Between Worlds
4 Aug – 2 Nov, 2025
I.F. Gallery
SOUTHERN
Wish You Were Here
11 Jul – 25 Oct, 2025
Ben Brown Fine Arts
SOUTHERN
"THE HONG KONG ICONICS" Art Basel Hong Kong Review
11 Jul – 31 Oct, 2025
Lucie Chang Fine Arts
WAN CHAI
Summer
10 Jul – 20 Sep, 2025
Kiang Malingue
CENTRAL
Cherie Cheuk: A Wrinkle In Time
18 Jun – 20 Sep, 2025
Alisan Fine Arts
OPENING SOON
The Trivial Sublime
6 Mar – 5 Apr, 2025
SC Gallery

SC Gallery is honoured to present the duo solo exhibition “The Trivial Sublime” by Adrian Wong and Doris Wong. Both artists will showcase a new series of works that reflect on the existential meaning of life and sacred moments stemming from care (for oneself and others).

Historian Timothy David Snyder offers handy rules for living through an absurd era, emphasizing the significance of keeping a daily routine whilst being determined that it doesn't always require a decisive commitment or a complete life change. Among these, "give regularly to good causes" and "make eye contact and small talk" represent the smallest acts of kindness, expressing direct care. These small gestures collectively form a supportive network that can drive social change.

In recent years, economists have begun advocating for a "well-being economy" rooted in social and environmental concerns, focusing on the impact on future generations and considering ecological pressures on the planet. From the most basic units of society to nature, this approach fosters care, respect, and reverence for nature (bridging rational climate crises with an appreciation for fragile yet beautiful nature). The honor of a sustainable future resembles the spirit of “When Faith Moves the Mountain” - the tiniest moves project an imperishable belief.

Doris Wong's exhibited works are created after her "Pastel Nagomi Art" classes. This therapeutic mindfulness art emphasizes that no prior painting skills are necessary. Participants apply dry pastels to various stencil plates using fingertips or cotton swabs, combining images and colours to express internal emotional fluctuations through a slow and focused "creation" process. They experience the power of meditation to calm the mind.

The "Living Daily Life with Thich Nhat Hanh" series has gained international popularity, reflecting the public's desire for mindfulness without crossing religious boundaries while efficiently capturing the extraordinary and sacred moments in the everyday.

Doris continues her past explorations of "learning" through interest classes. As an artist, she embodies the "sensory superpower" of beginners, as described by Tom Vanderbilt in Beginners, questioning the essence of art and making sarcasm on art history. Her work The Garden resembles altar paintings from the medieval to Renaissance periods, shaped like the "Gateway to Heaven." Under the hazy morning light, the variety and color combinations of flowers reference Monet's gardens. The neatly arranged plants also resemble Doris's long exploring themes of “motherhood” and “nurture,” as well as echoing the common Christian phrase "God's good gardener," highlighting the sacredness of cultivation and care.

Adrian Wong, trained in psychology, combines his deadpan humour with his works, revealing subconscious desires that remain unspoken in our daily lives. His colour choices and stylistic references intentionally mix the mundane with the aesthetic of plastic stage props, presenting a dislocated version of the mundane. Adrian carries various identities: as a second-generation American Chinese and a professor at a top American university, while also struggling for his artistic practice amid the challenges of daily life. He resonates with the insights of French philosopher Henri Lefebvre, who stated the dualities of everyday. His critique of the mundane is not purely negative; it is infused with emotion as he attempts to establish his integrity while preserving the everyday.

As a father of three, Wong regularly travels between the US and the UK for work. To him, participating in his children’s upbringing and sharing ordinary routines is no doubt the most precious time. This exhibition showcases works inspired by his interactions with his children: turning their hugs into digitalized paintings “January Hug Log”, exaggerated gift-shaped relief sculptures “Birthday Present" and an abstract painting series of children’s daily meal plans “Packed Lunch”. With his works, Wong materializes the fleeting instances of daily life. Especially his meal plan paintings, filled with nutrition simultaneously convey a sense of nurturing and express the subtle yet nourishing love of a father.
SC Gallery

Address: 1902, 19/F, Sungib Industrial Centre, 53 Wong Chuk Hang Road, Wong Chuk Hang

Opening Hours: Tue–Sat 11:30am–6:30pm

Phone: +852 3795 3826

Website: scgallery.art