FILTER
BY DISTRICT
Clear
CURRENTLY SHOWING
SAI WAN (WESTERN)
HART Haus x r é n: Art Actions | Our Youth Our Future
27 Jun – 13 Sep, 2025
HART HAUS
KWAI TSING
MONUMENTS
21 Jun – 26 Jul, 2025
Hanart TZ Gallery
CENTRAL
In Free Flight
19 Jun – 22 Jul, 2025
Ora-Ora
SHEUNG WAN
Urban Reveries
19 Jun – 2 Aug, 2025
Soluna Fine Art
CENTRAL
Cherie Cheuk: A Wrinkle In Time
18 Jun – 6 Sep, 2025
Alisan Fine Arts
SOUTHERN
Wing Po So: Polyglot
17 Jun – 9 Aug, 2025
Blindspot Gallery
SOUTHERN
MUSE and TOTEM
13 Jun – 20 Aug, 2025
Boogie Woogie Photography
CENTRAL
Dreamscape
12 Jun – 29 Aug, 2025
3812 Gallery
SOUTHERN
Doris Chui Solo Exhibition: “We Float, As We Slowly Fall Asleep”
7 Jun – 19 Jul, 2025
SC Gallery
CENTRAL
Kongkee: Future Jataka
30 May – 30 Aug, 2025
gdm (Galerie du Monde)
CENTRAL
Condition I-VI and Blue Room
29 May – 30 Aug, 2025
MASSIMODECARLO
SOUTHERN
Ailsa Wong: 1
24 May – 26 Jul, 2025
DE SARTHE
YAU TSIM MONG
Spectra
24 May – 5 Jul, 2025
PERROTIN
SOUTHERN
Zoran Music
24 May – 23 Aug, 2025
Axel Vervoordt Gallery
WAN CHAI
borrnnn
23 May – 5 Jul, 2025
Kiang Malingue
CENTRAL
Cy Gavin
22 May – 2 Aug, 2025
Gagosian
CENTRAL
Huang Rui: Sea of Silver Sand
22 May – 16 Aug, 2025
10 Chancery Lane Gallery
CENTRAL
Yoon Hyup: Montage
15 May – 5 Jul, 2025
Tang Contemporary Art (Central)
SOUTHERN
Lin Yan: Everlasting Layers
6 May – 16 Aug, 2025
Alisan Atelier
ADMIRALTY
Objects of Play: Hoo Mojong Centennial Retrospective
26 Mar – 6 Jul, 2025
Asia Society Hong Kong Center
CENTRAL
Through Time—Print Art in Aberdeen Street
22 Feb – 31 Aug, 2025
Print Art Contemporary
OPENING SOON
Nick Farhi Solo Exhibition: Autumn Leaves
27 Nov – 4 Jan, 2025
Tang Contemporary Art (Wong Chuk Hang)

Tang Contemporary Art is thrilled to present Autumn Leaves, an exploration of nostalgia and fragility through the lens of a New York-based artist Nick Farhi's vibrant imagination.

In a new body of work shown here for the first time, Farhi pays homage to New York City in the 1970s: a decade that saw the birth of the loft jazz scene in downtown Manhattan and with it, the emergence of dozens of DIY artistic venues for performing and visual arts. Enamored by this moment of intense artistic creativity amidst precarity and excess, Farhi reimagines films set in the city in the period.

In them, he transforms mundane urban night scenes—a busy street crossing, a dark storefront, wet concrete, or a lonely corner— into dazzling feasts for the eyes. In them, vibrant raspberry reds, sapphire blues, mint greens, and bright purples dance on the surface, pulsating with life. The artist’s loose and energetic brushstrokes blend into and clash against one another like the notes of jazz emerging from an underground club. In The West Village Jazzmen, bursts of light, blurred neon signs, and watery marks create a visual cacophony. These contrasting perspectives—converging momentarily on the surface of a dirty puddle on the road— crystalize the improvisational nature of the genre.

Farhi’s paintings are electric, yet in them, the deafening sounds of construction, traffic, emergency services, and pedestrians in angry disputes with one another seem to dissipate. Despite containing the ferocity of New York City, these scenes are surprisingly serene, poetic. In them, time seems to elongate, allowing for contemplation and respite. A lone ballerina dances in a street corner; a shirtless man carries a box with puppies for sale; another admires spring blooms in a flower stand. In these cinematic compositions, the busy streets somehow convey openness and a sense of possibility.

Seen together, these works reveal a careful exploration of the memories contained within the lived environment. An ode to the layers of encounters experienced in any street corner across time. Farhi’s project, though tinged with nostalgia for a bygone era, rather celebrates the continued vibrancy of the city. As the artist expressed, “great energy never dies,” it only transforms.
—Carlota Ortiz Monasterio

A falling piano chord, an accordion of decommissioned pre-war sinks, still-lifes hung across the walls, a girl dancing in the rain while a Pacino-looking man adopts a puppy. This metamorphosis of subjects, contrasting weights of tropes and dim recollections of vintage New York cinema, center political fragility. The viewers are pulled through the offerings of individual stances; army green glasses versus a rainbow of stemware, a twitter-colored bird juxtaposes with its prey a lonely green fish.

Temporality is the constant mechanism of waking life but is bound by rich landscapes of the New York-based artist’s critical imagination. Time is precious only because it is about to break, and life moves only because there are dwelling moments of still meditation to examine it.

Film frames are constantly shuffled, sped across light at speeds to create the illusion of movement, whereas here, the oil paint moves across the canvas, outlasting captured memories.
—Sam Farhi

ABOUT ARTIST
Nick Farhi

b. 1987, New York, USA
Lives and works at New York, USA

Nick Farhi is an artist, poet, and writer. Recent group exhibitions include the Jewish Museum, New York, Nino Mier Gallery, New York, Marlborough Gallery, London, and Golsa, Oslo. Farhi has critiqued and spoken at universities and institutions including the Harvard Graduate School of Design and Columbia University School of the Arts. His writing and poetry have been published by the Yale School of Architecture’s Paprika! Magazine and the 2023 MODA Critical Review Journal of Columbia University. Developing a wonky and uniquely a-skewed visual grammar through the labor of painting, both still and moving life, are made at deliberately bewildering and unusual scales. Through large-scale representational oil paintings, tonalities and cultural universalities within Western societies are emphasized, scrutinized and anthropomorphized. Through an interplay between visual research, (spanning from found imagery and autobiographical photography) to an internal intuition for figuration, Farhi delivers various addresses on daily life through mark-making and abstract symbologies.


Tang Contemporary Art (Wong Chuk Hang)

Address: Unit 2003-08, 20/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

Opening Hours: Tue–Sat 11am–7pm

Phone: +852 3703 9246

Website: tangcontemporary.com