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SOUTHERN
Xie Xiaoze: The Archaeology of Knowledge
25 Jan – 19 Apr, 2025
Alisan Atelier
SOUTHERN
Chen Wei: Breath of Silence
18 Feb – 12 Apr, 2025
Blindspot Gallery
SOUTHERN
Playful Scramble in Dragon’s Lair - Hayaki Nishigaki Solo Exhibition
22 Feb – 17 May, 2025
wamono art
CENTRAL
Through Time—Print Art in Aberdeen Street
22 Feb – 31 Aug, 2025
Print Art Contemporary
KOWLOON CITY
From Dust to Light
26 Feb – 13 Apr, 2025
Videotage
SOUTHERN
The Trivial Sublime
6 Mar – 5 Apr, 2025
SC Gallery
SAI WAN (WESTERN)
PUT ON
7 Mar – 7 Apr, 2025
HART HAUS
KWUN TONG
Paste and Keep Text Only
8 Mar – 5 Apr, 2025
WURE AREA
CENTRAL
Wu Guanzhen:Echoes of Shadow Exhibition
14 Mar – 26 Apr, 2025
Art of Nature Contemporary (Central)
CENTRAL
Ayobola Kekere-Ekun: Blooming Shields
17 Mar – 16 Apr, 2025
Pearl Lam Galleries Hong Kong
CENTRAL
TSANG Kin-Wah: T REE O GO D EVIL
19 Mar – 24 May, 2025
gdm (Galerie du Monde)
SHEUNG WAN
extra/ordinary
20 Mar – 26 Apr, 2025
Contemporary by Angela Li
WAN CHAI
Three Stories: Monsters, Opium, Time
20 Mar – 13 May, 2025
Kiang Malingue
SHEUNG WAN
The Korean Narrative: Layers of Korean Aesthetics
20 Mar – 17 May, 2025
Soluna Fine Art
SHEUNG WAN
Secret Garden - Byoungho Kim Solo Exhibition
20 Mar – 20 May, 2025
Leo Gallery
CENTRAL
Souvenirs, Novelties, Party Tricks
21 Mar – 26 Apr, 2025
JPS Gallery
CENTRAL
Echoes of Expression
21 Mar – 3 May, 2025
Galerie KOO
WAN CHAI
Collect Hong Kong 2025
22 Mar – 4 Apr, 2025
Hong Kong Arts Centre
SHEUNG WAN
Hong Kong Poetry
22 Mar – 27 Apr, 2025
Blue Lotus Gallery
SOUTHERN
Embodied Perspectives
22 Mar – 3 May, 2025
WKM Gallery
SOUTHERN
GONGKAN: ASYNCHRONOUS AFFINITIES
22 Mar – 14 May, 2025
Tang Contemporary Art (Wong Chuk Hang)
SOUTHERN
Soul Light Legacy Plan
22 Mar – 17 May, 2025
DE SARTHE
SOUTHERN
The Garden of Loved Ones: Richard Hakwins
23 Mar – 24 May, 2025
Empty Gallery
SOUTHERN
TRST03: Covey Gong
23 Mar – 24 May, 2025
Empty Gallery
SAI WAN (WESTERN)
Timeless Interactions
24 Mar – 6 Apr, 2025
HART HAUS
CENTRAL
Capsule Filling
24 Mar – 13 Apr, 2025
Capsule
SOUTHERN
Sin Wai Kin: The Time of Our Lives
24 Mar – 10 May, 2025
Blindspot Gallery
CENTRAL
NIAO NIAO: A Solo Exhibition by Su Xiaobai
24 Mar – 15 May, 2025
Pearl Lam Galleries Hong Kong
CENTRAL
Beneath the Golden Canopy
24 Mar – 16 May, 2025
MASSIMODECARLO
CENTRAL
Beauty Will Save the World: Eight Artists from Southeast Asia
24 Mar – 16 May, 2025
10 Chancery Lane Gallery
CENTRAL
Tradition Transformed
24 Mar – 14 Jun, 2025
Alisan Fine Arts
CENTRAL
Miwa Komatsu: Sacred Nexus
25 Mar – 15 Apr, 2025
Whitestone Gallery
CENTRAL
Sarah Sze
25 Mar – 3 May, 2025
Gagosian
CENTRAL
Louise Bourgeois. Soft Landscape
25 Mar – 10 May, 2025
Hauser & Wirth
YAU TSIM MONG
Vapors
25 Mar – 17 May, 2025
PERROTIN
ADMIRALTY
Objects of Play: Hoo Mojong Centennial Retrospective
26 Mar – 6 Jul, 2025
Asia Society Hong Kong Center
GONGKAN: ASYNCHRONOUS AFFINITIES
22 Mar – 14 May, 2025
Tang Contemporary Art (Wong Chuk Hang)

Tang Contemporary Art is excited to present the solo exhibition Asynchronous Affinities by renowned Thai artist Gongkan at the Wong Chuk Hang space in Hong Kong from March 22 to May 14, 2025.

Asynchronous Affinities marks a new phase in Gongkan's creative practice, exploring displacement to challenge social norms, cultural codifications, and moral values while nurturing transcultural interconnections and individual development. The exhibition invites viewers to explore the poetics of in-between frontiers, gaps, and links across cultures and generations, as well as the interstices of sexual and gender diversities.

The initial impulse of this solo show relates to the concept of “Right Person / Wrong Time”, reflecting misaligned affinities. As a Thai artist with Chinese cultural roots facing global discrimination and social changes, Gongkan aims to engage audiences in introspection about personal and collective emotions, expanding possibilities for individual and social relations.

Gongkan’s creations combine ambiguous social situations—celebrating, crying, polluting, dining—generating narratives rich with contradictions and paradoxes. For example, a majestic golden Thai temple prang tops a silver unidentified object in black cosmic space, and a birthday cake transforms into a smoke-polluting factory. His art offers visitors various ways to experience struggles related to oppression and isolation while fostering altruistic relationships.

Gongkan has developed a unique oeuvre depicting a boy as a representation of himself alongside multi-gendered and multiracial figures passing through teleportation holes, creating interconnections between dreamlike cosmic spaces, cross-cultural contexts, and natural elements. His “teleport art” has gained international recognition, featuring striking minimal patterns, simplified figures, and a subtle color palette. Spherical shapes—like planetary rings, rainbows, and balloons—serve as contact zones and fields of energy, expressing resistance, sadness, eroticism, and criticality.

Gongkan’s painting technique layers deep transitioning colors, pushing painting to its limits. This approach makes tangible the paradoxical experience of a deep virtual imaginary that feels real and profound, while also transforming daily life into an extraordinary journey.

In dialogue with his paintings, Gongkan created a trans-mutating assemblage of human and non-human components, such as a Buddha hand with a robotic arm holding a rose. These elements are linked through teleportation holes, presenting a whole transitioning entity rather than mere anatomy.

Expanding his artistic exploration of social and cultural critique, Gongkan has conceived a new installation featuring a Chinese table with a motorized center tray and culinary utensils for presenting “dishes” made of artifacts that reflect our consumption society: fast fashion clothes knotted like a bun, noodles made from magazine strips, and stacked CDs resembling Peking duck wraps. Through this unexpected installation, Gongkan raises profound questions about Asynchronous Affinities that affect individuals and profoundly impact people's lives amid cultural and economic growth, gaps, clashes, overlaps, and interrelations. Like many Thai people, Gongkan has deep Chinese roots from the Teo Chew community. Such transcultural links are vital for understanding the complexity of cultural diversities and the paths for young Asian generations to navigate their lives while addressing family and cultural gaps, gender differences, and rapid economic and digital growth in pan-Asian and global contexts.

The touching video Confinements to Expectation (2020) will also be shown, depicting the artist cutting ropes that tie him to his father, evoking complex emotional responses of bond, trust, and separation.

In Gongkan’s art, shapes and colors serve as transformative components allowing practices of passage and transition. They refer to suspended planets, crying eyes, or fluffy cakes, acting as “contact zones” traversed by intimate emotions and power dynamics. Gongkan, rather than promoting fixed identities and stereotypes about who “I am” or “who I have to be”, is creating and sharing a daring and generous “art of becoming”.

WITH… you ~ people ~ bonds ~ heart ~ cultures ~ sex ~ nature ~ infinity ~ love…
OUT… of limits / frontiers / space / codes / time / identity / walls / exclusion…
Tang Contemporary Art (Wong Chuk Hang)

Address: Unit 2003-08, 20/F, Landmark South, 39 Yip Kan Street, Wong Chuk Hang

Opening Hours: Tue–Sat 11am–7pm

Phone: +852 3703 9246

Website: tangcontemporary.com