In the Going-and-coming series, the artist utilises the dried flowers left from Love Letters and captures the different moments when they move about on a spinning table, suspended in a temporal series of movement and fragments, ever returning and reincarnating. Engaging with the materiality of oil pigment and the porousness of silk screens, the artist composes the painting in verso and recto, and disrupts the illusion of coherence and linearity. These flowers thus achieve a second life through the reappearance of heterogeneity through the representation of homogeneity, purporting a way to perceive the organic multiplicity of life.
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